On what stays and what slips away. A conversation with artist Santiago Márquez.

Over four decades, Thiel has shaped media art across VR, AR, installation, and AI-driven systems. From the beginning, her work has been shaped by a double perspective: inside the development of advanced technologies, and at a critical distance from the assumptions that accompany them.

In conversation on AI, surveillance, and erasure.

In conversation on self-portraiture, voice, and care in synthetic image culture.

A conversation on machines, mirrors, and moral responsibility.

Artificial intelligence is often framed as a technology of acceleration, automation, and extraction. In aurèce vettier’s work, it becomes something else entirely: a slow instrument for introspection, memory, and care.

A conversation on AI, emotion, and what machines cannot carry.

In conversation with Flynn by Malpractice, on emotion, agency, and collaboration between humans and AI.

Before becoming a generative artist, Iskra Velitchkova worked in data visualisation at a large bank in Spain. When her team was asked to develop a restaurant recommendation app, she approached the task in an unorthodox way.

A conversation with Estelle Flores and Érica Storer about GMs, digital folklore, and meritocracy.

In conversation with Georg Eckmayr and Shojiro Nakaoka on networked sculpture, real-time systems, and infrastructure.

On memory, adolescence, and emotions in the age of AI.

Malpractice on Flynn, an AI agent, learning with AI, and emotions in the age of AI.

A conversation with Paul Prudence on his new series, Terra Nullius.

In conversation with Salawaki and Marine Bléhaut on digital intimacy, artistic agency, and the systems that shape how we’re seen.

“My process begins with a question.”

“As long as I can create on a computer I'll be fine.” - Psychofuturist

“I want viewers to feel a touch of vertigo, a bit of disorientation, and a sense of surprise when they encounter the works.” - neurocolor

We spoke with the artist about his fascination with nostalgia, the evolution of his process, and his upcoming drop on objkt.one.

“We have to rethink our practices. For me, going toward low-tech, local production of art and goods while building communities and open-source tools is more exciting than brain implants or robots cleaning your house. I think we could do better.”