Growing up with a software developer father, he encountered computers early, making ASCII drawings for a dot-matrix printer in the 1990s and participating in internet culture long before he considered himself an artist.

goldcat is a Dresden-based artist, born in Germany and raised in Kenya, whose practice moves between charcoal drawing, digital painting, clay, and bronze.

ADHD is the moniker of Philadelphia-based artist and musician Colin Frangicetto. His gritty, hyper-layered works channel a language of cohesive chaos to explore memetics, alienation, and post-internet decadence.

Merzmensch (Vladimir Alexeev) is a Frankfurt-based artist, writer, and cultural theorist whose practice explores the shifting boundary between human memory and machine imagination.

Thomas Collet, known as Chepertom, is a French digital artist based in Brussels whose practice explores the infrastructures that shape digital images, from video compression and glitch aesthetics to generative textiles and autonomous AI systems.

Goodwin approaches each work through intuition rather than premeditated composition, following what he describes as his "internal vocal noise" until the image gradually reveals itself.

Through monochromatic figures set against luminous technicolor worlds, Rose constructs cautionary narratives that invite viewers to reflect on the fragile intersections of beauty, grief, and human experience.

“I'm no longer interested in explaining everything. I find it much more interesting when images exist without needing to justify themselves.”

Olga Fradina has spent her life moving between art and design, treating both as ways of shaping how we experience the world. Drawing on a background in graphic and interior design alongside practices such as ceramics and generative art, she creates meditative works that reduce visual complexity to its essential forms.

Alex May has spent decades exploring how digital technologies shape the ways we experience time, memory, and perception. Working across moving image, photography, software, sound, robotics, installation, and computational processes, he builds custom digital systems that blur the boundaries between documentation, reconstruction, and imagination.

“The world of ‘the spirit’ is not, and perhaps cannot afford to be, divorced from technology.”

As part of the second objkt Labs Residency, p.i.x.e.l.l.a.r.e. presents p.i.x.e.l.l.a.n.d.i.a., a collaborative generative work that combines photography with autonomous pixel animations to create constantly evolving visual fields.

The artist uses textiles to explore the histories of subcultures, personal identity and the urban environments that shaped him, but also as carriers of memory.

Micah Alhadeff has long been interested in what happens when digital systems begin to fail. Working across 3D modeling, analog video synthesis, AI, and glitch aesthetics, his practice embraces error as a creative strategy rather than a technical flaw.

Brazilian artist Lisanne Haack has never treated mediums as fixed categories. Working across painting, sculpture, 3D, VR, and AI, her practice follows a single question: how can an internal state become physical form?

Æther Cavendish is a language artist, whose practice repeatedly returns to visual poetry, sound, symbolic systems and what she calls "human algorithms".

Between foreground and background, painting and room, protagonist and object.

A collision between vintage imagery and contemporary anxieties.

In conversation with James Bloom about Contingent, his release with Gottfried Jäger on objkt.one.

“Every technology carries an aesthetic.” - Tamara Moura